Over the past couple months I’ve read two very long fantasy/sci-fi series: Matt Dinniman’s Dungeon Crawler Carl, and Tao Wong’s Thousand Li. Both are video-game/RPG-inspired, both are thousands of pages long, and both were first self-published online.
Their roots in self-publishing and fanfic are obvious. In both cases there’s a single heroic man, a Regular Guy (seriously, like a default character build in a video game that the player hasn’t bothered to customize) who gets swept up into a complex magical adventure. Carl is a Coast Guard veteran and reluctant cat dad who must save the world from alien invasion; Wu Ying is a peasant who gets recruited into the legendary magic societies of Chinese fairy tales. As they gain experience, they gain skill and power, develop insight, learn about themselves and others, and do great deeds. It’s not an especially complicated narrative, but it’s quite enjoyable, full of humor and adventure. Both authors also get noticeably better at writing as they go along. The protagonists and secondary characters develop, grow, take shape and depth. Themes emerge. Interesting themes.
I haven’t read any of Wong’s newer pieces, but Dinniman’s newest novel, Operation Bounce House, shows his progress nicely. As in the Carl series, his protagonist is just a Regular Guy trying to defend his home. But I got the distinct impression that Carl’s backstory was added late in the game, while Bounce House is a more fully developed work from the very beginning. The secondary characters have full personalities from the beginning as well, and even some of the antagonists have a bit of depth to them, real concerns and regrets. In his newer book, the big ideas about xenophobia, capitalism, the nature of humanity, and gamer culture really have room to grow and thrive.
Still, they all pale compared to V. E. Schwab’s Bury our Bones in the Midnight Soil, a masterful work of fantasy shot through with love and loss and hunger. Schwab weaves together the story of several women over the course of 500 years, making each a protagonist and antagonist in turn. Maria escapes the strictures of 16th century Spain by becoming a vampire and eating her husband; Charlotte escapes the strictures of 19th century England by becoming a vampire and eating her suitor; 21st century college student Alice winds up caught in their centuries-long folie a deux and becomes a vampire against her will, struggling to make sense of what it means to live and fight and survive when time wears away everything that makes you human, when you know that eventually all that will be left of you is hunger. It’s an entirely different level of artwork, and it shows off just how great genre fiction can be.
Bad News (Fascism)
Secret police detain journalist for opinions.
Secret police are using cars without plates, or obscured plates, or the wrong plates.
Secret police abducting citizens.
This story about the missing teenager abducted by the secret police reminds me of nothing so much as the scene in Terry Gilliam’s Brazil where the bereaved widow screams “WHAT HAVE YOU DONE WITH HIS BODY,” and there’s no answer, because of course there isn’t. The secret police disappeared, tortured, and murdered the wrong guy, and he’s not coming back. I’m not alone in making this comparison.
Undercover with the American far right.
Who is Russell Vought and why does it matter? (He’s a Christian nationalist, and he’s trying to destroy the secular state)
The EEOC is now a white grievance machine, which is just dandy.
Bad News (Other)
They’re finally digging up that mass grave from the mother-and-baby home in Tuam, Ireland. I can’t tell why this story has had such a hold on me for so long. There are plenty of horrors closer to home.
Peak 18-year-old presents a problem for college towns.
Joy
Various dogs navigating various stairs (often badly).
Archival film of a Scottish man in the 1970s going to visit a friend across the moors by bicycle. There are hidden whisky caches along the way.

