Holt Uncensored

Once again consuming: Holt Uncensored has a piece this week on how Amazon really ought to just pay authors a few cents every time it brokers a used-book transaction. After all, it’s got all that money and technology and there’s no reason not to, right? The author brings up the fact that the British library system apparently pays authors every time their books are checked out of libraries. I’m not sure who exactly pays that money, though, and I’m not sure whether it’s all rights-holders, just the living authors, or maybe British authors only. Anyway, that sounds lovely but try getting that paid for by state taxes in the US.

I agree, as a writer, that it would be nice to get a few cents every time one of my books was resold. But before you suggest that, ask yourself as a book seller what you are selling. When I buy a book, is it mine or not? Am I free to read it and use it in the manner I see fit? What are the implications for the ownership of intellectual property if authors (more accurately, rights-holders, who often aren’t the authors at all) have greater control over resale of their works?

When I buy a DVD, of course, I know that it is a crime to watch it or on an unapproved device such as a foreign DVD player or Linux-based computer, to make a backup copy or skip the copyright warning material. And when I buy an e-book, I know that it may be a crime to have it read aloud to me by software, to print it, or to lend it to a friend. Books, on the other hand, are mine to read. I may be unable to skip the FBI warning and commercials at the beginning of my DVDs, but dammit, I can skip the introduction to “Yellow Dog.” And although I may be prohibited from selling the copy of Windows XP that came with my last computer, at least I can buy a book knowing I’m free to unload it later.

The British library system sounds lovely, but it’s a state-backed system paid for by taxes intended to promote literature. A similar system in the US would probably turn libraries into something like the US commercial radio system: for every song played, the record label pays an “independent” promoter who in turn pays the radio station for playing the song. Small labels don’t have the money for what is essentially payola, so small labels don’t get played. Artists of course get nothing from any of it. Imagine if libraries were paid to promote lending of particular books, to carry some books and not others, and imagine the temptation to do that if you were a typically underfunded library. And what about authors who have died? Should Amazon pay Disney when I sell my child’s outgrown Winnie the Pooh books?

Libraries in the US, whether personal, public, or private, are under no obligation to pay authors for each loan of a book, and Amazon as a merchant is under no obligation to involve the author in the sales of used books. I’m sure it sounds at first like a “nice thing to do” but you’re leaping step into an intellectual property minefield.

Dreaming of Disease

One of the more intense images at SF MoMA was a photograph of sugar and blood by Shimon Attie, from a series called “White Nights, Sugar Dreams.” Although not all his art deals with the subject, this image was a way for the artist to address and interpret his diabetes.

For viewers, the images not only offer a way to understand diabetes, but position diabetes as a metaphor for general illness, forbidden desire, and for discontent. Sort of like diabetes cookbooks.

Other articles delve further into Attie and his contemporaries, but the real impact for me was the way that his art acts as a bridge between his disease and the outside world. How does my art (not as good as Attie’s, but I long ago discarded the fear of mediocrity: there’s no wheat without chaff, and if my art is crap, at least I enjoy making it) work with respect to my particular ailments? (Yeah, sure, art can reflect health and joy and success too, but let’s be honest: the cool stuff is the conflict, the death, the things that disturb, sicken, fascinate, and madden.)

Anyway, I want to start creating more, not just in a blogging way– making prints or shirts, writing, going back to that Rojas translation. I’ll be posting, I hope, pieces of the Rojas translation, possibly in a new category, shortly.

Consuming San Francisco

I’m back, although having a hard time getting back into the blogging swing for some reason. I will post pictures later, and restaurant reviews, and thoughts on SF MoMA and art. But for now, I’m still a little dazed.

Every year I do my shopping after Christmas, because it’s cheaper and because I try to avoid stores during most of December, since it’s so insane and I hate the carols. Of course, lots of other people do this too: apparently December 26th is the 9th biggest shopping day of the year. So, come January, I’m as over-shopped as the rest of the country.

Fave items of consumption this past week: the Moon Metro guidebook, Aria, a store of bizarre crap, Modern Appealing Clothing, not to be confused with MAC the makeup shop, True Sake, which is quite friendly and helpful despite the complete ignorance of every single customer including me, and food-wise, Ozumo, restaurant of criminally delicious food: unagi topped with foie gras, hamachi collar with ponzu/veal jus, flights of sake, ginger sorbet with plum wine, perfect maki, perfect execution in the entire enterprise. Yes, that was my birthday treat.

Quite a lovely city for wandering, peoplewatching, shopping, and general consumer madness– or for that matter, general madness, since many of the world’s delusional schizophrenics seem to have settled on its streets to mutter at passers-by.

Thought and beauty will come later today, with any luck.

Open Letters, Cont’d.

Dear MBTA:
I feel that I am not alone in saying I’d gladly pay double the fare on the T if I thought it would be well-used. That’s why your capital investment program proposal and the comments period are so important: they really makes clear what the MBTA is doing with the money, and that gives me peace of mind and makes me feel that my tax dollars and fares really are at work on something good. To expand on your customer outreach, it might help to put up posters explaining where your money comes from (so much from fares, so much from state grants, so much from the feds, etc.) and what percentage gets spent on things– information that is in the capital investment overview but which is not going to be seen by many riders.

My comments on the capital investment program are as follows:

First, I love that you are planning on the ticketing and fare changes. I especially like the idea that they may some day permit fare adjustments based on traffic (charge more for peak hours, less for off-peak, for example), and if they help us gain better data on passenger usage patterns. Another way to get better system data would be to install GPS systems in busses, like those installed in snowplows, so that we know when and where a bus line is late. For example, the 47 bus is too often late, perhaps because it is such a long route and delays anywhere in the system add up. Maybe it would help to divide it into two bus routes or to adjust its path somehow– you could tell what to do if you had better data from GPS systems.

I would like to point out that the stairways at Park Street station are too small and that it’s slow to get from the Red Line to the Green Line during peak hours when transferring. I guess you already know that, and from looking at it, it wouldn’t be easy or cheap to fix.

In an ideal world, I’d like to see the Green Line replaced with real trains. When you examine the Somerville extension, please consider running it underground rather than aboveground, because you can see on the B, C, and D lines that aboveground lines, especially with so many at-grade crossings, are a disaster.

Also, can I just whine about how Arlington was stupid to reject the Red Line extension, and suggest that the issue should be revisited? I mean, really. I look at Washington DC and what it has accomplished with its Metro system, and it just makes me so jealous– they have interstate cooperation on this thing, and we can’t even get Arlington to agree to something that benefits them and everyone around them? Come ON! We need greater coverage, because Boston is a huge metro area, and if they don’t want a stop, well, put in a Lexington stop and pass Arlington by! And how about Jamaica Plain, Dorchester, Roxbury, and Chelsea?

Yours,
Aaron Weber
Slummahville

Stats

Top User Agents: Googlebot, Slurp, NetNewsWire, Galeon.
Top Searches: Poo Bear, Cosmetic Pharmacology, Quirkyalone, Peach Friedman.

OK, I think the whole “Quirkyalone” thing is awful and stupid and lame, I feel ambivalent about cosmetic pharmacology (and I talk mostly about cosmetic psychopharmacology, anyway), and the Poo Bear thing was a throwaway one-liner. Are you looking for Winnie the Pooh or something?

Peach Friedman, of course is marvelous, as is Nat.

Look Out

Look out, Mom and Dad, I could still move back home any day now. It’s hard enough thinking you’re done full-time parenting after eighteen years, and done with financial support after another five or ten, but thirty-some-odd years of living with the kids at home? Damn, in my day, if they were alive after five years we counted it a success.

Oh wait, that wasn’t my day, that was an episode of The Cosby Show.